Āsitāne – This is where we taste history…

Restaurant signage

We arrive at the beautiful Āsitāne restaurant near the gorgeous Kariye (Chora) Museum in Edirnekapı neighborhood. This restaurant specializes in fine Ottoman Cuisine, and the way dishes were conceived at the Palace during the Ottoman Empire. They have unearthed and included over 200 recipes from palace archives into their menu since they opened up in 1991.

The garden of this beautifully restored historical mansion is a quiet oasis to enjoy a meal. We walk in before lunch hour with our numerous cameras, audio and lighting equipment and a 7-person team to take over the inside of the restaurant. General Coordinator Batur Durmay is a gracious host and puts up with us moving every furniture inches to the left or right for the perfect set up.

The garden

Table setting

As we start chatting about the history of the restaurant he tells me that they may have been the very first establishment to specialize in the Ottoman Palace cuisine. This also meant they had to create an awareness and a demand to go with it. They had to do a lot of research to construct their menus, going into the archives, understanding what was used, when, and with which technique in the royal cuisine. It was a labor of love venturing into food while continuing their family owned boutique hotel business.

Batur Durmay

Batur Durmay, General Coordinator

He says only about 40% of their customers are from Turkey. And almost no one comes with a clear understanding of Ottoman cuisine or its refinement. In an indirect way, they have an educational mission as well, showcasing how things were combined with a clear intent in this cuisine: sweets are complemented with sour tastes, dishes with vinegar are cooked with sweet onions etc.

He doesn’t find it surprising at all that international customers are clueless about the variety that exists in the Turkish cuisine in general. He thinks this is due largely to Turkish immigrants living abroad and are in the food business. Almost none of them are chefs and they present a very limited version of the Turkish cuisine, he argues. Hence the tourists arriving in Turkey think of kebap more than anything else and maybe a few mezes as representative of Turkish food. They are of course delightfully surprised when they encounter the menu at Āsitāne.

Batur Durmay - quote

Batur Bey also talked about how our relationship with food changes from one generation to the next. His generation in Turkey, those who are in their 40s today, wasn’t interested in food, especially as a career he says. And people didn’t bother to learn to cook from their grandmothers either. This he sees as a loss, because without such upbringing one looses touch with the culture as well. Without a sofra (dinner table) tradition, one cannot pass that to the next generation. He is hopeful though as the younger generations are far more interested in food culture in general, and food as a career.

When I asked about his personal relationship to food he said: “The apple doesn’t fall far from the tree. A violin virtuoso’s children tend to have aptitude for music. This is true for my family as well. As far back as I can remember, our family conversations revolved around food, food culture, culture and philosophy of drinking and so on and so forth. Inevitably you grow up with this as your base. We cook at home; whatever we learned from our parents and grandmothers. We prefer to be around the dinner table when we get together with friends. We prefer to talk deeply about food rather than politics; wondering about its roots, how it is prepared, presented and the way it tastes. It is like a virus, spreading from one person to the next.”

Batur bey’s deep knowledge about the Ottoman cuisine is impressive. It is clear that this is more than a money making venture, but rather a labor of love for him. I believe he just had a baby (Congratulations!!!!), and I can easily picture him in the kitchen teaching his children what he learned from his parents and grandparents. I vividly remember my mom and aunts cooking and laughing together in my grandmother’s kitchen in Akcaabat (Trabzon) where a beautiful old wood stove resided with karalahana soup and tea bubbling on it, with corn bread in its belly, some of us lying on the comfy sofa next to the large kitchen table, my brother  or cousins sitting on the windowsill with a book. There is something about cooking with and around children – what a beautiful legacy to pass on to the next generation…

Humus dolmasi

Humus dolmasi

As we wrapped up the interview they brought out dishes to taste which made me giddy as a child. YUM! Let’s be honest, one of the coolest things about this project is the food. Must come back to this place to have the full dinner experience next time I am in Istanbul. But I digress… First up is the 14th century recipe for humus dolması. There is no tahini in this recipe, instead it is made with chickpeas, currants and olive oil, among other spices. It is served as a starter at room temperature.

stuffed melon

Stuffed melon

Then comes the kavun dolması (stuffed melon) with ground meat, rice, herbs, almonds and. Apparently the Ottomans loved stuffing anything in season, including fruits. This recipe dates back to 1539. It was served at the circumcision ceremony for Sultan Süleyman’s two sons in Edirne. At Āsitāne they make this recipe during winter with quince. During spring, they substitute tart pears and apples.

Gomlek kebabi

Fatty Apron Kebap ready to go into the oven…

The last plate is gömlek kebabı (“Fatty Apron” kebap on their menu), a recipe from 1764. It is a ground lamb and beef dish with coriander seeds, cumin, pine nuts and mint, wrapped in caulfat and roasted in the oven with lots of fresh cilantro. Batur bey suggested that this is a taste closer to our palette in Turkey today.

 

fatty apron kebap

Gomlek kebap ready to be devoured

There are also Ottoman beverages on the table, made with seasonal fruits and spices. Şerbet is made with fragrant fruits and flowers by pressing (without processing or cooking the fruit), while şurup is made by boiling fresh or dried fruits with the addition of lemon sugar. Depending on the season they can be tart and less sugary, such as during summers to have a refreshing effect. During winter there is more honey and sugar used in these recipes. The most interesting one was the Demirhindi şurubu (tamarind syrup). Batur bey called this an Istanbul recipe, though sometimes we see it in the Aegean as well. They have thirty different recipes for şurup and şerbet at Āsitāne. Come on down and have a blissful meal in the garden…

 

Ottoman Surup & Serbet selection

Ottoman Surup & Serbet selection

The saddest thing is though, these days there are no tourists in Istanbul, and restaurants like Āsitāne with mostly tourists as regular customers are suffering. Another restaurant we interviewed in the movie just closed its doors last week (Lokanta Maya). Let’s hope people will feel safe enough to visit Istanbul soon, before these beautiful establishments possibly go out of business, leaving a void in their wake.


Visit the Āsitāne at this address: Kariye Camii Sokak No:6
34240 Edirnekapı, İstanbul, Turkey
T: (212) 635 7997
F: (212) 521 6631

info@asitanerestaurant.com

 

Day 1: We are really making a movie!!!

We are really making a movie

If there was ever a reluctant subject, I was it. At first, my idea for this movie was for me to be never seen, just heard in a few scenes while I asked a question. I wanted the camera to shoot from my point of view. As you may have read in my first blog post about the beginning this was not to be- something about having a story to tell in order for the movie not to bore audiences to death, blah blah blah.

Sweating through interviews

Internally willing myself to stop sweating. Somehow the universe is not listening.

And so I resigned to the fact that I would be sweating all over this movie as we started shooting during humid summer months in Istanbul while the camera guys told me there would be no fans or ACs during the shoots due to interference with the audio recording. What’s a little humiliation for one’s art/research agenda! Our audio technician Görkem nearly went deaf as I used my fan furiously right by my microphone anytime someone yelled cut for a 10 second reprieve from the sweat shower I was taking.

sweat sweat sweat

Our first day was planned to be a city shoot of me walking around, taking in the sights and doing numerous random things to be used as needed in the movie. It was also to break me in a little so I wouldn’t have too many blunders in front of our participants as I interviewed them.  As we walked around the city for over thirteen hours shooting various scenes, I am told to walk this way and that way, look around and ponder things on a notebook while writing gibberish. I am told to act really naturally so I walk up to a spot to gaze at the Bosphorus bridge and I am reminded promptly not to look away from the camera.

You think I am looking at the bridge. I am looking at a trash can.

You think I am looking at the bridge. I am looking at a trash can.

Always looking up when they ask me to change it up. It is all about the neck.

Always looking up when they ask me to change it up. It is all about the neck.

 

 

 

 

 

 

What do you know, I also look down. Apparently I am all about vertical looks.

What do you know, I also look down. Apparently I am all about vertical looks.

This is my serious thinking face. I am thinking I need an immediate overhaul.

This is my serious thinking face. I am thinking I need an immediate overhaul.

That means I would be looking at the trash bin on the side as if I am admiring the city and the bridge but really it is a trash can. Then I am told to not be so static, do something natural; like look around but never in a way to lose sight of the camera. Not a direct profile, but somewhat of a diagonal look. So, look left, but if you look left truly then the camera loses your face, so don’t look too left, but do it naturally. Walk normally, but that is too fast, and this is too slow. Don’t stop, linger a little, don’t look at us, but act normal.

Do I look annoyed and defensive?

Do I look annoyed and defensive?

At the end of the night I am feeling slightly clownish and a whole lot of sheepish. It was fun nevertheless with a steep learning curve. I think I somewhat understand what they mean about natural. It is a total re-construction of reality. Act real in a camera savvy way. Do things you normally wouldn’t do as if this is all you do. Be believable, make it happen! I can’t believe I am failing at looking at the damned bridge that takes up 200 degrees of my view. There is a first for everything, apparently.

It is also clear I do not know how to walk since I was told it was either too slow or too fast.

It is also clear I do not know how to walk since I was told it was either too slow or too fast.

I got to see so many streets and corners of the city I have never seen before. It was lovely wandering around. It was also fun to be working with others, in a team. Rarely in our profession do we work with others in this manner. We had drinks and food in between shooting and laughed a lot. They argued about which shot to take and how to make it better. They tried to educate me as quickly as possible. Their enthusiasm, patience and love for their craft made me respect them even more. Even after a ten-hour day, they were still arguing about the best location, best shot, one last look. But most importantly, I liked our camera crew because they love eating. They order and eat with gusto, passionately disagreeing about the best place to eat künefe. I think we’ll get along just fine.

I am told the camera adds 10 pounds. I believe the food during shoots might be responsible for a few others- i.e., buy a simit and eat it, have some mussels, let’s get a fish sandwich, we need you tasting something in the shot! You need to take another bite one more time.

One must balance eating with drinking liquids...

One must balance eating with drinking liquids…

Fruit is an important part of my diet...

Fruit is an important part of my diet…

 

Zeynep eating mussels in Istanbul

Chowing down mussels on a bridge…

 

 

 

One needs carbs to soak up all the fruit juices I consumed.

One needs carbs to soak up all the fruit juices I consumed.

 

 

 

 

 

 

 

 

 

 

 

star?

Did I say I enjoyed myself? Hey, being a star in a food movie ain’t so bad after all… until you watch yourself on the big screen in high definition that is.  Minor setback I say 🙂

There was a lot of eating....

There was a lot of eating….

And more eating...

And more eating…

 

 

 

 

 

 

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THE BEGINNING…

‘What is the hook?’ she said, ‘what is the story?’

As I tried to come up with a semi-intelligent answer for the grant officer at the NEH (National Endowment for the Arts), I realized I never thought of the project as a “story.” Well, this is not too surprising, as we are not in the business of storytelling in social science research. Usually we are trying to establish credibility and objectivity by establishing distance from our subjects, even as we criticize these methodologies. At most we try to conjure up titles to grab your attention in our articles or conference presentations.

I’ve never let anyone hold the kids while they’ve got the ciggies: moral tales of maternal smoking practices” comes to mind ***

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